Moderators: mdg, Mexicola, 2020k, Fredd-E, Aesthetics
Mexicola wrote:Marcus had that beard and longer hair waaaaay back.
Valotonin wrote:Hardly controversial but I wasn't going to scroll looking for the RFTD thread.
When they stated that you have to 'think sideways' about some of the track names I instantly realised that the title literally means nostalgia and nothing to do with the physically 'dead'.
arvy wrote:Interesting, will you explain a little more ? I think the best example of 'look sideways at track titles is Split Your Infinities Uritual and Nothing is Real which makes SUN
Valotonin wrote:arvy wrote:Interesting, will you explain a little more ? I think the best example of 'look sideways at track titles is Split Your Infinities Uritual and Nothing is Real which makes SUN
Good observation. Something I hadn't picked up on actually. Uritual is a nice play on words. The historic supplementing of 'U' as 'V' has always lead me to believe it is a combination of Virtual and You-ritual. Ritualistic obsession with technology perhaps but I shouldn't start going down that train of thought right now. Palace posy has (apart from being a now well known anagram) to me always been a metaphor for hospitals and what will result of humans basically creating antibiotic resistant bacteria without a cure. A palace of 'posies' (false historical remedy for plague) or ineffective remedies for treating man made diseases i.e reaping tomorrow's harvest in one sense. There are a lot of thoughts on track titles but I don't necessarily believe them, I just like to toy with ideas on them.
To answer the inital question. Reach for the dead can be interpreted as nostalgia because the 'nost' (nostro) in nostalgia refers to the dead or that which is no longer present and the rest of the word describes a longing for (reaching for something)
Edit: Oh and the track immediately following the three that you discovered spell 'SUN' is 'Sundown' Groovy (:
AnalogueDreams wrote:If we are really talking controversial, I would like to put it out there that I think that Ctrl All Del's remix of TCH (I believe it was called The Phasefire Camphead) was one of the best and coolest things I have ever heard. I almost completely destroyed the original feelings and emotions of TCH, but the way it was done really makes me ponder over it. It is in my top three BoC albums, with only TCH and Geogaddi rising above it.
Especially loved The Macridge Quarie and This Bird Slow Down.
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