What kind of moderation should Twoism.org adopt?


Dear Twoism members,

Since its beginning, Twoism has been a space where people come together through a shared love for Boards of Canada and related topics. Over the years, this forum has always embraced a wide range of conversations, sometimes sharp, sometimes philosophical, sometimes deeply personal.

But times change, and so does the internet. That’s why we'd like to hear from you: how should Twoism approach moderation in the future? There’s no right or wrong answer, this is an opportunity to reflect together on what we want this community to be, and how we interact with one another.

Please take a moment to vote in the poll. Your input will help us shape the future of Twoism in a way that reflects the values of its members.

Help we’re fighting,
Twoism crew

[Continue]

What are you reading?

Random chat: movies, books, games, technology, etcetera.

Moderators: Mexicola, 2020k, Fredd-E, Aesthetics

Posts Quantity
Status: Offline
Posts: 106
Joined: 13 Jan 2016
Hellstreets wrote:Blindsight by Peter Watts

taking me a bit longer than i thought to get back n finish it but i'm liking it a lot so far, pretty unique sci fi in what might seem like a very boring premise at first


Helluva book!
phpBB [media]

User avatar
Dayvan Cowboy
Status: Offline
Posts: 1728
Joined: 9 Aug 2009
How Music Works by David Byrne. Maybe 20% memoir, 80% Byrne's experiences in the musical world, from the literal context in which humans found themselves developing different kinds of music to his direct/indirect experience with how labels finance (or don't finance) releases.

I'm nearly done with it - the upcoming chapter I'm most excited about is what I believe are his guidelines for how a music scene lives and thrives -- welcome advice for someone in a town where the music scene still hasn't quite recovered from COVID.

User avatar
Sherbet Head
Status: Offline
Posts: 982
Joined: 31 Dec 2008
Waterbagel wrote:How Music Works by David Byrne. Maybe 20% memoir, 80% Byrne's experiences in the musical world, from the literal context in which humans found themselves developing different kinds of music to his direct/indirect experience with how labels finance (or don't finance) releases.

I'm nearly done with it - the upcoming chapter I'm most excited about is what I believe are his guidelines for how a music scene lives and thrives -- welcome advice for someone in a town where the music scene still hasn't quite recovered from COVID.


It's so good! I had the pleasure of meeting David and seeing him present this in a theatre in Minneapolis in I believe 2012-2013. I think it was at the Walker Art Center. I didn't know what to expect walking in as I was honestly just really excited to see him in person, but I ended up really enjoying the presentation!

I would have a signed copy of it still, however when I went to the restroom I set it on the paper towel dispenser and someone walked in, grabbed it, and ran out before I finished my business. I guess they really needed a copy lol.
this terror i dance to forget

User avatar
Posts Quantity
Status: Offline
Posts: 188
Joined: 2 Aug 2023
Image

Previous

Return to The Playground

Who is online

Users browsing this forum: No registered users and 32 guests