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Stry Craty Bya wrote:I just keep thinking as the days go by.... What is progressing about this album being released today?
Bryan wrote:Stry Craty Bya wrote:I just keep thinking as the days go by.... What is progressing about this album being released today?
We're talking about vaporware. I'd say that the good money points to them being retired at this point.
nick47 wrote: They still have contractual obligations to fill.
You should post this on watmm, they would probably have more to say.Universal Homeostasis wrote:radiateme wrote:Universal Homeostasis wrote:Maybe 10.02
What makes you guess that?
The date marks the entrance of the Universal Cycle in the Mayan calendar.
Could have been typically BOC to release on such a date.
I see now that there seems to be an dispute of which date the cycle begins.
Some say 10.02, others 11.02, and also 12.02.
dp wrote:out of curiosity nick, what are their contractual obligations at this point? do we even know?
Bryan wrote:Has there ever been a case where a band broke up and a judge ordered them back in the studio to create more music?nick47 wrote: They still have contractual obligations to fill.
nick47 wrote:And its different when a band breaks up, but the brothers are brothers and have been making music ALL THEIR LIVES, why would they stop now?
dp wrote:out of curiosity nick, what are their contractual obligations at this point? do we even know?
nightGoat wrote:dp wrote:out of curiosity nick, what are their contractual obligations at this point? do we even know?
from "Bunker Full of Memories," in Forcefield - 4-14-98
"After various hard-to-get releases on cassettes, Skam Records (and it's enigmatic offshoot Mask) the Scottish duo has just released their debut album Music Has The Right To Children on Warp Records. The first of five on the Sheffield label!
"Five albums. That might explain why Mike Sanderson and Marcus Eoin are extremely busy in their Hexagon Studio and reject most interview requests."
Just a point of reference (found it on bocpages)
MrMessiah wrote:EP != album
Edit: unless you're Autechre
SonicDimension wrote:I suppose if you're an ignorant bourgeois
SonicDimension wrote:GrangalanJr wrote:I'd personally be quite surprised to see BoC playing off of the apocalyptic fervor of the moment. I suspect (and certainly hope) they'll be going off in a different direction than that with the new album.turquoise70 wrote:And if they did for some reason release an album that was thematically mirroring back the way a lot of zany-ass people are thinking about things right now, I'd be less interested in hearing it. I don't care what people think about 2012 or the apocalypse and I'd prefer not to be reminded about them in what would otherwise be awesome, ear-liberating music.
Wow, some people need to pull their heads out of their asses and take a look around. The interest in apocalyptic events and such is not a random fad that a small number of 'zany-ass' superstitious people started because they heard some weird fact about the Mayan calendar.
The reason this is such a big thing these days is because the last ten years have witnessed many significant events that have diminished peoples' hope that the 21st century will be better than the 20th-- 9/11, 'wars on terror,' climate change, destruction of the biosphere, the increasingly alienating technoculture, the energy crisis, a worldwide economic slump, etc., etc. It's not because we are fixated on a literal 'apocalypse.' Christ, some people are fucking dense.
I suppose if you're an ignorant bourgeois, you might be in a position to make art that is not affected by the growing awareness of our bleak future (and present), but I think that BoC are very aware of world events and it would not be possible for them to make music that is free from all emotional connection to that. When we speculate that there might be an 'apocalyptic' theme on future release, we are talking about it in the sense of dystopian/apocalyptic 70's sci-fi movies-- narratives which depict a culture of paranoia, uncertainty, and general malaise. Try to imagine how you might translate those kinds of ideas and moods into sound. I think BoC already has many of those elements in their tracks, but I wouldn't necessarily say that any of their albums, with the possible exception of Geogaddi, focused on those kinds of dark themes. I think it would be cool if they made such an album, though.
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