Not sure which of a number of threads this should go on....watched Mulholland Drive for the second time last night.
First time I watched it, soon after it came out, I was only vaguely aware of Lynch as a director, via Twin Peaks and Wild at Heart. I remember it pretty much went over my head the first time, wasn't particularly memorable about from being incomprehensible. However now, having watched Twin Peaks a few times and thanks to the wonder of t'internet, knowing a bit more about Lynch, I loved it, for the surreal genius and the cascade of perfect 'Lynchian' moments that you just sit in awe of.
It just keeps on giving - while watching it, you're marvelling at the complexity, increasingly aware of the unravelling that will be needed at the end, but looking forward to it.
Meanwhile, you're just enjoying (at the start at least) all those Lynchian traits - the feeling of unreality, even though you know it's set now, the 1950s feel is everywhere, from the clothes and set, to the cliched bubbly optimism, yet with a underlying creepiness and darkness (witness Betty happily flouncing around her new apartment, while the camerawork creates a feeling of pure dread). The fact that he's done this exact same thing before in Twin Peaks and elsewhere is somehow comforting. It all blends perfectly with the surreal moments populated slightly over-the top characters (the scene of the studio meeting between the director and the 'mob' is just perfection).
At the end, you're left with a glorious feeling of 'what the fuck?' and get to enjoy the whole film again while you try to work out the whens and whys. At the moment I concur with the most popular explanation that Betty is Diane's dream with the timelines and interactions creating a kind of Mobius strip effect. In any case, I'm happy not to think about it all too much.
One thing I'm happy to ignore is the apparent commentary on the light and dark of Hollywood - although I love films, Hollywood and 'show business' is a subject I'm not remotely interested in and even grates on me a bit.