Tomorrow's Harvest is the most depressing album they have made, makes a Radiohead album sound happy in comparison.
Its not an album i would put on to enjoy listening to.
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Nope. Babylulu's message to MDG clearly asked about BoC:Burning Shadow wrote:The MDG message to babylulu about “a new album is on its way” could also accurately refer to Orangutang by the Sexual Objects
To which MDG responded:just wondering if there are any updates you can share? just about any BOC news or releases or boxset updates in general. much love from the states! <3
Furthermore, The Sexual Objects new record obviously has not really much to do with BoC. In fact Mike and Marcus produced three songs, sonically and technically far from their Boards of Canada project."Thanks for your message. Nothing specific I'm allowed to share yet unfortunately, just that a new album is on its way. Sorry I can't give you any more right now!".
dana wrote:Tomorrow's Harvest is the most depressing album they have made, makes a Radiohead album sound happy in comparison.
Its not an album i would put on to enjoy listening to.
It grew to be my favorite release next to Geogaddi. The aesthetic is perfect. How about desolate disco in the desert?llydia wrote:dana wrote:Tomorrow's Harvest is the most depressing album they have made, makes a Radiohead album sound happy in comparison.
Its not an album i would put on to enjoy listening to.
I agree. Its like jeez, is this really the fruits of our labor? Tomorrows harvest, more like disco night at the cemetery.
dana wrote:Tomorrow's Harvest is the most depressing album they have made, makes a Radiohead album sound happy in comparison.
Its not an album i would put on to enjoy listening to.
mGardener wrote:lmao i personally think that a radiohead album (*cough* A Moon Shaped Pool *cough*) is more depressing.
Flory wrote:That when (not if) the true meaning of many of the BoC songs are found out or reveled, that we will have a completely different and somewhat worrisome view on the bros.
The hints in the songs are so obvious, I feel as if everyone likes to just, pretend they don't exist to keep their perception of BoC clean and only seek out the "nostalgia" in the music.
I don't really buy the whole "irony/post irony/post modern" idea of the hints being just "aesthetic".
Ngl I am afraid to vocalize this too much here. I don't want to come off ass speaking negatively of BoC, I only speak of this out of worry for them.
All I will say is, the songs, they have a reason, they have a logic. A logic and world view that might be incongruent with a healthy relationship with a social contract between citizens and a federal government and is unaligned with objective reality.
Just don't be surprised if something leaks out and there is a whole scandal of some sorts.
Call it folk, nostalgia, pagan - it all comes down to the rustic/rural settings of your music, doesn't it? The music being dreamt up and worked out In A Beautiful Place Out In The Country, the land we inherited from our ancestors and haven't yet ruined completely. Being isolated from The City, Modern Life and the delusion of Ongoing Progress. How does that show in your music, you think?
Marcus: We're very much anti-globalization. One think that disturbs me is a trend today for technology to be created and used just for it's own sake. I recently heard a politician in the UK saying that population decline was a terrible thing and that if we don't build more houses then quality of life and the economy would suffer. It's such a naive and ignorant approach to the world. Where exactly do they stop? Once there is no land left, just industrial estates and housing? I think it's the saddest thing in the world that we have all the space and resources to give everyone a decent life, but it doesn't happen. George Bush is right in that there is an "axis of evil", but it lies at the door of big business and government. We try to support the idea of a less urbanized lifestyle in our music, but I don't want to preach to anyone.
Interviewer: "Do you sympathize with the idea held by many ancient cultures, like the Celts and Native Americans, that nature belongs to no one"?
Marcus: "Yes. This nature and environment have existed longer than you, me, any government, country, or generation. It should continue to exist, but that requires us to treat it with respect."
WATER_CAN-_- wrote:Flory wrote:That when (not if) the true meaning of many of the BoC songs are found out or reveled, that we will have a completely different and somewhat worrisome view on the bros.
The hints in the songs are so obvious, I feel as if everyone likes to just, pretend they don't exist to keep their perception of BoC clean and only seek out the "nostalgia" in the music.
I don't really buy the whole "irony/post irony/post modern" idea of the hints being just "aesthetic".
Ngl I am afraid to vocalize this too much here. I don't want to come off ass speaking negatively of BoC, I only speak of this out of worry for them.
All I will say is, the songs, they have a reason, they have a logic. A logic and world view that might be incongruent with a healthy relationship with a social contract between citizens and a federal government and is unaligned with objective reality.
Just don't be surprised if something leaks out and there is a whole scandal of some sorts.Call it folk, nostalgia, pagan - it all comes down to the rustic/rural settings of your music, doesn't it? The music being dreamt up and worked out In A Beautiful Place Out In The Country, the land we inherited from our ancestors and haven't yet ruined completely. Being isolated from The City, Modern Life and the delusion of Ongoing Progress. How does that show in your music, you think?
Marcus: We're very much anti-globalization. One think that disturbs me is a trend today for technology to be created and used just for it's own sake. I recently heard a politician in the UK saying that population decline was a terrible thing and that if we don't build more houses then quality of life and the economy would suffer. It's such a naive and ignorant approach to the world. Where exactly do they stop? Once there is no land left, just industrial estates and housing? I think it's the saddest thing in the world that we have all the space and resources to give everyone a decent life, but it doesn't happen. George Bush is right in that there is an "axis of evil", but it lies at the door of big business and government. We try to support the idea of a less urbanized lifestyle in our music, but I don't want to preach to anyone.
https://bocpages.org/wiki/Play_Twice_Before_ListeningInterviewer: "Do you sympathize with the idea held by many ancient cultures, like the Celts and Native Americans, that nature belongs to no one"?
Marcus: "Yes. This nature and environment have existed longer than you, me, any government, country, or generation. It should continue to exist, but that requires us to treat it with respect."
https://bocpages.org/wiki/We%27re_makin ... e_and_time
♄ope keeper wrote:Just adding...
Do you think BOC's music is something that realizes a kind of utopia? If so, what kind of utopia is it?
Mike: "I hope our music presents an alternative to the current state of things. In other words, when I compose, I hope it's music that is detached from this monotonous reality of the real world. And maybe at that time, I'm envisioning my own personal utopia. I'm sure it would be a future where people, well-educated to embrace their differences, would challenge each other to games instead of resorting to violence. In that future, trees would grow to 30 feet tall in just 10 seconds, and ten suns of different colors would shine all day long."
In a capitalist society, would you agree that certain escapes or sabotages carry the most essential danger?
(No answer.)
That said, you’re rather pessimistic about the future of mankind? The crash is necessary because people, governments and industry are just not able to change their direction and thinking?
Mike: "Yes that’s part of it, humans are essentially selfish. So I feel that real radical change is more likely to come from external events rather than from within."
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